New year, new house

First of all the very best wishes to everybody for the year ahead and I hope it is a peaceful and creatively plentiful one for all of us, wherever we are.

And to celebrate the atart of a new year, what else but the completion of my new house? 2012 is definitely going to be the year of Charles Dickens, it being the bicentenary of his birth and already, here in the UK we have had, in the past few days, a TV adaptation of Great Expectations and a radio rendering of A Tale of Two Cities.

As it happens both books were written at Gad's Hill Place.

As you see, I strayed from that original intention of including lots of garden ... the memories of the shawl and that wonderful quilt exhibition at the V&A last year kind of took over. I loved those old bedcovers appliqued with little domestic shapes which held significance for the embroiderer and the embroiderer's family. Like this one, made around 1850 and donated by the West Kent Federation of Women's Institutes to the museum.

So I have put in hearts to indicate Dickens's love for his garden (certainly not, by 1856 when he purchased the property, his love for his long-suffering and mentally abused wife which by then amounted to pathological hatred). There are quill pens and books, teapots, cats and dogs (which were a particular feature of the successive Dickens homes) and glasses of port.

And here, as promised, is a photo of my beautiful cashmere Paisley shawl which dates from around the same time, bought by me in a junk shop for about 5 shillings (yes, it was THAT long ago) in a Croydon junk shop when I was an art student and a gang of us would comb the surrounding junk and charity shops during lunch hour.

In the good old days when real bargains and very old stuff could be bought for a song.

Jane Austen collage, finished at last

Jane and Cassandra Austen Tending Their Garden at Steventon

Phew! Finished at last. Has this been my most fiddly to date? Probably. It has also been a bit of a mission tracking down suitable prints that I thought fitted the period.

My admittedly shallow researches so far didn't actually turn up any references to either Jane or her sister Cassandra tending their garden at Steventon Rectory, their practical enthusiasms seemed channelled into putting their ensembles together and attending dances but I daresay they may have done some genteel pruning or cutting of flowers for the house.

But they most certainly did patchwork.
In a letter written to Cassandra in 1811 Jane wrote:
"Have you remembered to collect pieces for the patchwork - we are now at a standstill?" And I believe one is on display at the Jane Austen Museum in Chawton. So I've got that right, anyway

I don't seem to be able to capture the brightness of this picture. I've taken about a dozen shots but none of them come up to the mark. I'm looking forward to getting some professional style photos taken by my daughter when she arrives at the back end of July.
Bear with me!

Steaming ahead with Jane Austen

Sort of.......

It went from this earlier start

But still a long way to go.

Steventon Rectory was the home of Jane Austen for the first 25 years of her life. The place was torn down many years ago and there is now nothing left of it except a water pump in the middle of a field, so I am treating it as a bit of a fairy tale with more than a sideways (or backwards) glance at the simply stunning quilt exhibition at the V&A last year and to childrens' samplers of the time. 

Jane's letters are full of references to fabrics and sewing projects so the idea of a patchwork effect feels right.

Let us see how it goes.

Time's wingéd chariot ...

... a poetic way of saying that life's too short to struggle with a painting that refuses to come together at the outset, especially with exhibition dates looming closer. So the budgies have been temporarily (or perhaps terminally) parked and I have turned with a big sigh of relief to doing some miniatures.

They are something I often mess around with previous to a larger painting, chopping, tearing, changing and cutting them up like a patchwork or jigsaw. Sometimes I take an old sketch and hack it to pieces and will one day I am sure get around to basing some paintings on the surprising abstracts that can emerge from something quite figurative.

But these ones are destined for the browsers as alternative affordables (which is not to say everything else isn't - far from it!) seeing as it will be at a time when people are buying Christmas presents.
And because I LOVE doing tiny stuff!

Owing to still being cameraless I cannot put up any of these minis so I will drag out something to illustrate my point, one of a few collages which resulted from a prolonged chopping session - I must have been in a "neat" state of mind - they aren't always quite as regular!