The Eve of St Agnes

 

Finished (again).

After a bit of dithering I decided to add figures in the stained glass sky. It needed a bit of life, I felt, and the cat on its own didn't hack it.

(It is one of young Mrs Dilke's cats, from my Winter Snows collage of Keats House, one of the ones that didn't make it into that picture but was saved in a box on my table and is now having his day elsewhere, but now with the senior Dilkes).

 

So this is "Old Mr Dilke's" house in Chichester where Keats stayed from January 18-23 1819 and where he began to seriously think about and possibly pen the first lines of The Eve of St Agnes, the idea for which had been prompted earlier that week by his mysterious female friend, the sophisticated, elegant and independent Isabella Jones, who had pointed out the significance of the upcoming date.

 

According to legend on January 20, the eve of St Agnes, young women are able to see their future husbands in a dream.

Isabella, a keen reader of Gothic tales, suggested to Keats that it would make a great theme for a poem.

So hats off to Isabella.

 

 

The figures represent Porphyro and Madeline, the protagonists of the poem. But could equally be Keats and Brawne or even Keats and Miss Jones.

 

The pavement is made of fragments of a letter written to the poet's brother in America in which he informs him that "nothing much happened" in Chichester:

"I took down some thin paper and wrote on it a little poem called St Agnes's Eve ..."

 

A throwaway line if ever I heard one.

Allan Bank by Moonlight

Finished this last night ... Allan Bank in Grasmere by moonlight, with William Wordsworth and his books in the foreground.

The poet was a keen gardener and spent a lot of time in that of Allan Bank, creating a romantic landscape, complete with "viewing tunnel" and walks. So sheep, with their voracious appetite, were probably a no-no, but I have put them in to add a Samuel Palmer-ish touch.

The windowframes, as often happened with Georgian buildings, were later replaced by gaping plate glass numbers. I went so far as to get in touch with the National Trust to check on their former small-paned status, which was confirmed by Sarah Woodcraft, a very helpful NT outdoor team curator for the area.

Storm at Sea: Field Place, Sussex

Here it is: the Sussex country seat of the Shelleys, threatened by the Mediterranean storm that took the life of Timothy Shelley's eldest son, Percy Bysshe, who had been born there 29 years and eleven months previously.

Field Place

 All his life Shelley appears to have what would at the last prove to be a fatal attraction to boats and being on the water, whether it was the paper boats he and his successive wives, Harriet (who by-the-by drowned herself) then Mary would sail on London ponds or later rowing boats in Marlow and last but not least, his specially-built sailing boat, the Ariel, in Italy.

So paper boats feature in this house portrait, made from photocopies of pages from his biographies, with significant names on them:

detail

 As to July 8, 1822, this is how one biographer described the fateful day:

"In the heat of the Italian summer Shelley went with Edward Williams to Leghorn in the Ariel, and spent a week there and at Pisa with Leigh Hunt. In the afternoon of an intensely warm July day, under a sky that presaged bad weather, they said goodbye to Hunt and set sail for Lerici. A tremendous storm arose, such as is not infrequent on this coast. The frail little Ariel, twenty-four feet by eight, disappeared from the view of those watching it from the shore, and was swallowed up in the tumult of the tempest.

"A week later the body of Williams, cast up by the waves, was found on the beach, and the next day that of Shelley was discovered upon the shore near Viareggio, three miles away. It was not until three weeks after the storm that the corpse of 18-year-old Charñes Vivian, the young sailor-lad who was their sole companiion in the boat and the only one of the three who could swim, was also found on the sands.

"In one of Shelley's pockets was Keats' last book, Lamia, which he had told Hunt, who had lent it to him on his departure for home, he would not part with until he should see him again..."

Shelley's ashes were eventually interred in the Protestant Cemetery at Rome near the graves of his little son William and that of Keats.

Thinking about Shelley ...

Scrummy new books ...

... while I was clearing leaves in the garden yesterday. He is not one of my favourite characters from literary history what with his monstrous ego, his cavalier attitude to his wives and children and his rackety lifestyle, to say nothing of his Christian name, but I suppose he must have been undeniably charismatic. And then there's the poetry, of course. She said, ironically.

I remember being set tracts of Ode to the West Wind to learn by heart as English Lit homework. It was hardly a punishment after reams of Gray's Elegy in a Country Churchyard I can tell you, in fact I still love that poem, but even then as a callow schoolgirl I preferred committing Keats to memory. And as I read about their lives I have to say the more I read about the privileged ethereal Shelley the more I preferred the under privileged and down-to-earth Keats.

That said I am rather enjoying The Young Romantics by Daisy Hay, one of a batch of books I got from Amazon recently, which features the story of Shelley and his entourage (it's the one on the far left in the above photo) writ very large by comparison with Leigh Hunt and Byron, the other main protagonists.

All this as a bit of a long-winded way to introduce the fact that Shelley was born in a splendid, highly collagable house, Field Place, in the Horsham area of West Sussex in 1792.
He died almost thirty years later, drowned in a storm at sea.
Before he could get his hands on the house or his inheritance, albeit he'd managed to live off the prospects of it for all his adult years.

I like the idea of trying to contrast the contained domestic classical symmetry of Field Place with a suggestion of his turbulent life and death as a meteorological backdrop. Enlightened balance v. romantic drama.
If you get my meaning.

This is what my doodlebook looks like at present.
Another morning raking up leaves and assorted creepy crawlies should do it ...

And a nightingale in a plum tree ...

In a Poet's Garden